For the first time in Konserthuset, we get to hear music composed for the ancient Australian wind instrument, the didgeridoo. Both in a newly written piece for strings, didgeridoo, and oboe d'amore by Loke Risberg, and in the intensely vibrant sixteenth string quartet by Australian Peter Sculthorpe, where the instrument complements the four strings. Playing the didgeridoo, we have Björn Bohlin, a multi-instrumentalist who previously played English horn in the Gothenburg Symphony Orchestra.

Gabriella Smith's Carrot Revolution is a tribute to the ability to find new ways to approach older artistic forms and expressions. "The piece is a patchwork of my very contrasting influences," she says.

The concert begins with Ghiribizzi for violin and cello by the Moldovan-Austrian composer and violinist Patricia Kopatchinskaja. On her series of curiously explorative "ghiribizzi," she says: "It's not a tribute to Paganini, but I borrowed the title from his peculiar pieces for violin and guitar." Ghiribizz roughly translates to whims, quirks."

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New Friday is the series for anyone who is curious and interested in exploring the new music of our era. Come early, stay late – the bar will be open before and after the concert with drinks and appetizers.

Konserthuset Stockholm at Hötorget is one of Sweden’s great architectural masterpieces. Created during a period of expansion in Stockholm, by the Swedish architect Ivar Tengbom, it opened in 1926. Konserthuset Stockholm was built for the Royal Stockholm Philharmonic Orchestra and has since the start been the dedicated venue for the Nobel Prize Award Ceremony as well as many other prestigious events.

• The guided tour is held in Swedish.
• Maximum 25 persons/tour.

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With her dazzling technique and natural stage presence, Dutch violinist Janine Jansen has long been among the top tier of international star violinists. Pianist Denis Kozhukhin also combines outstanding technique with mature musicality and an ability to establish a close connection with the audience. They have both previously visited Konserhuset, individually and together.

During their acclaimed visit in 2022, they performed, among other pieces, Brahms' third violin sonata. Now, we hear the first two: the "rain sonata," so named because its finale includes a quote from Brahms' own song "Regenlied," and the second, named "Thun" after the town in Switzerland where Brahms spent time when he composed it. There, he was inspired by the beautiful surroundings. "There are so many melodies here that one must be careful not to trample on any of them," he expressed it.

Before Ravel’s concluding Violin Sonata, with its famous blues movement, we hear Francis Poulenc’s Violin Sonata (please note programme change: replacing the previously announced Poème élégiaque by Eugène Ysaÿe) – a dramatic work composed during the war years and dedicated to the memory of Spanish poet Federico García Lorca – as well as Olivier Messiaen’s Thème et variations, reminiscent in character of his most frequently performed work, the Quartet for the End of Time.